Description:

Emma Bovary is an avid reader of sentimental novels; brought up on a Normandy farm and convent-educated, she longs for the passion of romance. At first, Emma pins her hopes on marriage, but life with her well-meaning husband in the provinces leaves her bored and dissatisfied. She seeks escape through extravagant spending sprees and, eventually, adultery. As Emma pursues her impossible reverie she seals her own ruin and despair. Exquisite, moving, at times ferociously satirical and always psychologically acute, Madame Bovary remains one of the greatest, most beguiling novels ever written.

This stunning new translation, by the celebrated novelist Adam Thorpe, delicately and meticulously transposes the rhythms, tone and poetry of Madame Bovary and brings us closer to its shifting depths. It is destined to become the definitive English translation of our time.

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Review

"Magnificent. I insist everyone reads Adam Thorpe's new translation." Vogue "A handsomely bound hardback edition that perfectly befits the beautiful new translation therein... we are pretty confident that Thorpe's bash at Bovary is a contender for the new best English version out there. Sensitive and musical, and simply and wittily annotated, it's got "new classic" written all over it. Plus it's dressed in this really elegant embroidered design by Karen Nichols, so everything gangs up and makes it basically a must-buy." -- Stuart Hammond Dazed and Confused "Flaubert's 1856 novel begins with marriage and what follows is the archetypal tale of a desperate housewife" Daily Telegraph "Mesmerising" Independent "The most scandalous novel of all time" Playboy

About the Author

GUSTAVE FLAUBERT was born in Rouen in 1821, the son of a distinguished surgeon and a doctor's daughter. After three unhappy years of studying law in Paris, an epileptic attack ushered him into a life of writing. Madame Bovary won instant acclaim upon book publication in 1857, but Flaubert's frank display of adultery in bourgeois France saw him go on trial for immorality, only narrowly escaping conviction. Both Salammbo (1862) and The Sentimental Education (1869) were poorly received, and Flaubert's genius was not publicly recognized until Three Tales (1877). His reputation among his fellow writers, however, was more constant and those who admired him included Turgenev, George Sand, Victor Hugo and Zola. Flaubert's obsession with his art is legendary: he would work for days on a single page, obsessively attuning sentences, seeking always le mot juste in a quest for both beauty and precise observation. Flaubert died suddenly in May 1880, leaving his last work, Bouvard and Pécuchet, unfinished.