For ten years Fraa Erasmas, a young avout, has lived in a cloistered sanctuary for mathematicians, scientists, and philosophers, protected from the corrupting influences of the outside world. But before the week is out, both the existence he abandoned and the one he embraced will stand poised on the brink of cataclysmic change—and Erasmas will become a major player in a drama that will determine the future of his world, as he follows his destiny to the most inhospitable corners of the planet . . . and beyond.
Starred Review. This audiobook goes the extra mile, giving listeners something the printed page-turner can not. Fans of the cult author will enjoy his vocal cameo appearances when he calmly reads definitions from a non-Earth dictionary at the start of many chapters. Another added bonus is the music between chapters that was composed specifically for this production; working with Stephenson and early drafts of the novel, David Stutz beautifully captures the complex traditional, coded choral music described therein. Moreover, the extras do not obscure the remarkable performance by William Dufris, who reads as if he knows the 900+–page text by heart. The story is told by a monastic scholar, and Dufris—with a twinkle in his proverbial eye and a sense of awe in his voice—is the perfect match. His intelligent rendering of the cast of characters is a delight for the ears. A Morrow hardcover (Reviews, July 28). (Oct.)
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Stephenson has never been an easy writer to pin down, and he has a reputation for not always wearing his erudition lightly. Particularly in his later books—and that now includes Anathem—readers are vetted at the door before being invited into the author’s labyrinthine worlds. The early books were held up alongside the work of William Gibson, Bruce Sterling, and other cyberpunk gods, though in the last decade Stephenson has carved a niche as one of the most ambitious writers working today in any genre. Anathem is intellectually rigorous and exceedingly complex, even to the point, as the Washington Post avows, of being “grandiose, overwrought and pretty damn dull.” Others complained of too much abstraction. Stephenson’s fans are legion, however, and many will add Anathem to their list of must-read doorstops.
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